Das Auge des Arbeiters : Arbeiterfotografie und Kunst um 1930 /

Das Auge des Arbeiters : Arbeiterfotografie und Kunst um 1930 /

During the modernist media revolution of the 1920s, workers photographically recorded their cramped environments, the battles of the labor movement and their consciously theatrical every-day lives for the first time. In a three-year DFG-funded project at the Institut fuür Sächsische Geschichte und...

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Bibliographic Details
Imprint:Leipzig : Spector Books, 2014.
Description:440 pages : illustrations (some color) ; 28 cm
Language:German
Subject:Hennig, Albert, -- 1907-1998 -- Exhibitions.
Hennig, Albert, -- 1907-1998.
Working class -- Germany -- Saxony -- Social conditions -- 20th century -- Exhibitions.
Documentary photography -- Germany -- Saxony -- 20th century -- Exhibitions.
Art, German -- 20th century -- Exhibitions.
Art, German.
Documentary photography.
Working class -- Social conditions.
Germany -- Saxony.
Exhibition catalogs.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10122517
Hidden Bibliographic Details
Other uniform titles:Hesse, Wolfgang,
Hennig, Albert, 1907-1998. Works. Selections.
Other authors / contributors:Stadtmuseum Dresden, host institution.
Käthe Kollwitz Museum Köln, host institution.
Kunstsammlungen der Städtischen Museen Zwickau. Max-Pechstein-Museum, host institution.
ISBN:9783944669441
3944669444
Notes:Catalog of an exhibition held at the Kunstsammlungen Zwickau, Max-Pechstein-Museum, May 23 - August 3, 2014; Käthe Kollwitz Museum Köln, August 14 - October 12, 2014; Stadtmuseum Dresden, Museen der Stadt Dresden, March 22 - June 28, 2015.
Includes bibliographical references.
Summary:During the modernist media revolution of the 1920s, workers photographically recorded their cramped environments, the battles of the labor movement and their consciously theatrical every-day lives for the first time. In a three-year DFG-funded project at the Institut fuür Sächsische Geschichte und Volkskunde, over 5.000 photographs from Saxon collections (Dresden, Zwickau, Leipzig) were assessed in the most extensive and detailed research into this topic to date. The contributions in the book discuss this new image culture and compare the photographs to then contemporary graphic design and painting. An inventory of the 400 photographs taken by Leipzig construction worker and Bauhaus student Albert Henning from the Kunstsammlungen Zwickau forms part of the publication.

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Call Number: TR73.6 A844 2014 c.1
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