Humor in Middle Eastern cinema /

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Bibliographic Details
Imprint:Detroit : Wayne State University Press, [2014]
©2014
Description:vi, 282 pages ; 23 cm.
Language:English
Series:Contemporary approaches to film and media series
Contemporary approaches to film and media series.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/10116690
Hidden Bibliographic Details
Other authors / contributors:Devi, Gayatri, 1966- editor.
Rahman, Najat, editor.
ISBN:9780814339374 (paperback)
0814339379 (paperback)
9780814339381 (ebook)
0814339387 (ebook)
Notes:Includes bibliographical references (pages 239-255) and index.
Includes filmography (pages 257-258).
Summary:While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor--often satirical--has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent--including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema.--Provided by publisher.
Review by Choice Review

Presenting an energetic, even revolutionary, approach to humor in Middle Eastern cinema, Devi (Lock Haven Univ.) and Rahman (Univ. of Montreal) offer an erudite introduction and solid work from a variety of countries-Tunisia, Palestine, Iran, Israel, Turkey, India (Bollywood). Because of the nature of the political regimes of some of these countries, readers might be reluctant to believe true humor can exist in Middle Eastern cinema. Certainly much needs to be done to free film writers, directors, and actors (especially women) in the present era, but as Mikhail Bakhtin states (quoted in the introduction to this book), "Laughter has a deep philosophical meaning, it is one of the essential forms of the truth concerning the world as a whole ... history and man." The essays in the volume trace humor from Plato and Aristotle to Kant, Santayana, and Freud. As Rahman notes, politics may be predominant, but cinema shows "art as life." Among the individuals and topics covered are the noted Egyptian filmmaker Youssef Chahine (1926-2008) and the way Bollywood varnishes terra firma in the film Tere Bin Laden (2010). This is a groundbreaking study for those serious about film. Summing Up: Highly recommended. Graduate students, researchers, faculty. --Andrew Mark Mayer, College of Staten Island

Copyright American Library Association, used with permission.
Review by Choice Review