Redefining realness : my path to womanhood, identity, love & so much more /

no one becomes "not racist," despite a tendency by Americans to identify themselves that way. We can only strive to be "antiracist" on a daily basis, to continually rededicate ourselves to the lifelong task of overcoming our country's racist heritage. We learn early the racist notion that white people have more because they are more; that people of color have less because they are less. 1 had internalized this worldview by my high school graduation, seeing myself and my race as less than other people and blaming other blacks for racial inequities. To build a nation of equal opportunity for everyone, we need to dismantle this spurious legacy of our common upbringing. One of the best ways to do this is by reading books. Not books that reinforce old ideas about who we think we are, what we think America is, what we think racism is. Instead, we need to read books that are difficult or unorthodox, that don't go down easily. Books that force us to confront our self-serving beliefs and make us aware that "I'm not racist" is a slogan of denial. The reading list below is composed of just such books - a combination of classics, relatively obscure works and a few of recent vintage. Think of it as a stepladder to antiracism, each step addressing a different stage of the journey toward destroying racism's insidious hold on all of us. Biology "FATAL INVENTION: How Science, Politics, and Big Business Re-create Race in the Twenty-First Century," by Dorothy Roberts (New Press, 2011). No book destabilized my fraught notions of racial distinction and hierarchy - the belief that each race had different genes, diseases and natural abilities - more than this vigorous critique of the "biopolitics of race." Roberts, a professor at the University of Pennsylvania, shows unequivocally that all people are indeed created equal, despite political and economic special interests that keep trying to persuade us otherwise. Ethnicity "WEST INDIAN IMMIGRANTS: A Black Success Story?" by Suzanne Model (Russell Sage Foundation, 2008). Some of the same forces have led Americans to believe that the recent success of black immigrants from the Caribbean proves either that racism does not exist or that the gap between African-Americans and other groups in income and wealth is their own fault. But Model's meticulous study, emphasizing the self-selecting nature of the West Indians who emigrate to the United States, argues otherwise, showing me, a native of racially diverse New York City, how such notions - the foundation of ethnic racism - are unsupported by the facts. Body "THE CONDEMNATION OF BLACKNESS: Race, Crime, and the Making of Modern Urban America," by Khalil Gibran Muhammad (Harvard University, 2010). "Black" and "criminal" are as wedded in America as "star" and "spangled." Muhammad's book traces these ideas to the late 19th century, when racist policies led to the disproportionate arrest and incarceration of blacks, igniting urban whites' fears and bequeathing tenaciously racist stereotypes. Culture "THEIR EYES WERE WATCHING GOD," by Zora Neale Hurston (1937). Of course, the black body exists within a wider black culture - one Hurston portrayed with grace and insight in this seminal novel. She defies racist Americans who would standardize the cultures of white people or sanitize, eroticize, erase or assimilate those of blacks. Behavior "THE NEGRO ARTIST AND THE RACIAL MOUNTAIN," by Langston Hughes (The Nation, June 23, 1926). "We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame," Hughes wrote nearly 100 years ago. "We know we are beautiful. And ugly too." We are all imperfectly human, and these imperfections are also markers of human equality. Color "THE BLUEST EYE," by Toni Morrison (1970); "THE BLACKER THE BERRY," by Wallace Thurman (1929). Beautiful and hardworking black people come in all shades. If dark people have less it is not because they are less, a moral eloquently conveyed in these two classic novels, stirring explorations of colorism. Whiteness "THE AUTOBIOGRAPHY OF MALCOLM X," by Malcolm X and Alex Haley (1965); "DYING OF WHITENESS: How the Politics of Racial Resentment Is Killing America's Heartland," by Jonathan M. Metzl (Basic Books, 2019). Malcolm X began by adoring whiteness, grew to hate white people and, ultimately, despised the false concept of white superiority - a killer of people of color. And not only them: low- and middle-income white people too, as Metzl's timely book shows, with its look at Trump-era policies that have unraveled the Affordable Care Act and contributed to rising gun suicide rates and lowered life expectancies. Blackness "LOCKING UP OUR OWN: Crime and Punishment in Black America," by James Forman Jr. (Farrar, Straus & Giroux, 2017). Just as Metzl explains how seemingly pro-white policies are killing whites, Forman explains how blacks themselves abetted the mass incarceration of other blacks, beginning in the 1970s. Amid rising crime rates, black mayors, judges, prosecutors and police chiefs embraced toughon-crime policies that they promoted as pro-black with tragic consequences for black America. Class "BLACK MARXISM: The Making of the Black Radical Tradition," by Cedric J. Robinson (Zed Press, 1983). Black America has been economically devastated by what Robinson calls racial capitalism. He chastises white Marxists (and black capitalists) for failing to acknowledge capitalism's racial character, and for embracing as sufficient an interpretation of history founded on a European vision of class struggle. Spaces "WAITING 'TIL THE MIDNIGHT HOUR: A Narrative History of Black Power in America," by Peniel E. Joseph (Holt, 2006). As racial capitalism deprives black communities of resources, assimilationists ignore or gentrify these same spaces in the name of "development" and "integration." To be antiracist is not only to promote equity among racial groups, but also among their spaces, something the black power movement of the 1960s and 1970s understood well, as Joseph's chronicle makes clear. Gender "HOW WE GET FREE: Black Feminism and the Combahee River Collective," edited by Keeanga-Yamahtta Taylor (Haymarket, 2017); "WELL-READ BLACK GIRL: Finding Our Stories, Discovering Ourselves," edited by Glory Edim (Ballantine, 2018). I began my career studying, and too often admiring, activists who demanded black (male) power over black communities, including over black women, whom they placed on pedestals and under their feet. Black feminist literature, including these anthologies, helps us recognize black women "as human, levelly human," as the Combahee River Collective demanded to be seen in 1977. Sexuality "REDEFINING REALNESS: My Path to Womanhood, Identity, Love & So Much More," by Janet Mock (Atria, 2014); "SISTER OUTSIDER: Essays and Speeches," by Audre Lorde (Crossing Press, 1984). 1 grew up in a Christian household thinking there was something abnormal and immoral about queer blacks. My racialized transphobia made Mock's memoir an agonizing read - just as my racialized homophobia made Lorde's essays and speeches a challenge. But pain often precedes healing. By not running from the books that pain us, we can allow them to transform us. 1 ran from antiracist books most of my life. But now 1 can't stop running after them - scrutinizing myself and my society, and in the process changing both.

A noble effort at transcending genre conventions ultimately redeems activist Mock's memoir from the ill-fitting prose that undermines early chapters. The author grows more comfortable and confident with the confessional medium as the book progresses, taking readers through the life of a biracial trans woman growing up in Honolulu. Of the book's many strengths, the most notable is its political bite. Mock defies the historically apolitical confines of the transgender memoir, and draws bright lines connecting her experiences to the larger realm of social justice, with a keen political eye that uses her individual experience to elucidate the wider condition of trans women of color in the U.S. Her vivid prose arouses every sense, wrenching emotion from the reader as she describes her experiences with sexual assault, bullying, abuse, and sex work on the streets of Honolulu. Although the book is ostensibly one woman's coming-of-age story, Mock fulfills grander purposes here; in coming to terms with her own difficult journey she also uses that experience didactically, as if to take the uninitiated, non-transgender reader with her, most certainly achieving "realness." (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.

This is a story of a woman who fought hard to make her physical self match her internal gender. However, Mock's story is about much more than her physical transformation, for at its heart the trans experience is concerned with living one's truth, no matter the cost. Mock grew up poor, multiracial, and trans, yet determined, even at age 15, to live openly as the young woman she knew herself to be. After her journey through academia, she worked as a magazine editor, then found the courage to speak out on such issues as poverty, discrimination, and violence. Mock's story will reverberate for a wide audience, for she has an inspiring message about overcoming obstacles and choosing to live life out loud. A moving, insightful work, eloquently voiced by its author. -Verdict Highly recommended. ["In [Mock's] desire to advocate for [trans people], she has written a book that is both intelligent and educational": LJ 2/15/14 review of the Atria hc.]-Kelly -Sinclair, Temple P.L, TX © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

One woman's authentic memoir about becoming her true self. Being poor and black can be difficult enough, but being poor, black and transgender can appear nearly insurmountable in today's world. Nonetheless, with grit and determination, Mock accepted her position in life and moved ever forward toward her goal of becoming the woman she knew she was meant to be. With simple honesty, the author brings readers into the world of transgender identity, of what it meant and felt like to be born and thought of as a boy, only to know deep inside that she was not that boy. From learning her father was addicted to crack to the childhood sexual abuse she sustained to the street sex she performed to gain enough money for her sex-change operation, Mock allows readers into the deepest and darkest moments of her life. As she writes, "[w]hy tell your story if you're not going to tell it in its entirety?" The author also provides endearing stories of her moments of delight as she transitioned, the girlfriends who accepted her and aided her with makeup and clothes, the women who helped her out on the streets and the family members who embraced her regardless of her gender identity. Undercurrents of strong emotion swirl throughout this well-written book, as Mock constantly moves forward toward complete womanhood, and she freely discusses her thoughts on the world's view of transgender and "other" people. It is an eye-opening and unapologetic story that is much greater than mere disclosure; it is a necessary assessment that a transgender person is as normal as any other person who claims the title of normalcy and that gender and body shape do not form a person's identity. An enlightening, much-needed perspective on transgender identity.]] Copyright Kirkus Reviews, used with permission.